They say that Parisians are difficult to please, on these four benches there is not one discontent-It is true that all these Frenchmen are Romans

Minneapolis Institute of Art

They say that Parisians are difficult to please, on these four benches there is not one discontent-It is true that all these Frenchmen are Romans

Honoré Daumier

Date
1864
Medium
Lithograph
Department
European Art
Institution
Minneapolis Institute of Art

Theatrical performances were popular entertainments in mid-nineteenth-century Paris. In this lithograph, Daumier focuses on the audience; especially the members of the claque, a group hired to sit directly behind the orchestra to applaud the performance. Nearly every Parisian theater of this time employed a claque, and in this image, they are either genuinely fascinated by the show or quite successful in their own performance. France, Europe

The authoritative record is held by Minneapolis Institute of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Related across collections

Semantically similar works from Minneapolis Institute of Art and other institutions.

Parisians looking forward to some fun. Queuing up for two hours in front of any theater in town, plate 1 from Les Bons Parisiens

Parisians looking forward to some fun. Queuing up for two hours in front of any theater in town, plate 1 from Les Bons Parisiens

Art Institute of Chicago

A Misapprehension at the Odeon, on a Day of Drama. “- Come on, come on let's go! - I am telling you it's not finished. The curtain has gone up again and there is still Roman on the stage,” plate 4 from Croquis Pris Au Théatre par Daumier

A Misapprehension at the Odeon, on a Day of Drama. “- Come on, come on let's go! - I am telling you it's not finished. The curtain has gone up again and there is still Roman on the stage,” plate 4 from Croquis Pris Au Théatre par Daumier

Art Institute of Chicago

At The Bar. Meeting point for the true lovers of French sculpture and Bavarian beer, plate 5 from Croquis pris à l'exposition

At The Bar. Meeting point for the true lovers of French sculpture and Bavarian beer, plate 5 from Croquis pris à l'exposition

Art Institute of Chicago

“- Mr. Colimard, if you don't stop immediately ogling the dancers in such an unseemly manner, I will take you home before the end of the performance!,” plate 4 from Croquis Pris Au Théatre par Daumier

“- Mr. Colimard, if you don't stop immediately ogling the dancers in such an unseemly manner, I will take you home before the end of the performance!,” plate 4 from Croquis Pris Au Théatre par Daumier

Art Institute of Chicago

Proposal for improvement for the theatres in Paris, which will not fail to have its effect during the dog days, plate 4 from Croquis d’Été

Proposal for improvement for the theatres in Paris, which will not fail to have its effect during the dog days, plate 4 from Croquis d’Été

Art Institute of Chicago

Cette Annee encore des Venus..., from Croquis Pris au Salon par Daumier, Vol. IX. pub. in Le Charivari

Cette Annee encore des Venus..., from Croquis Pris au Salon par Daumier, Vol. IX. pub. in Le Charivari

Minneapolis Institute of Art

“- Hey, Baptiste, what are these two shouting for the last hour… I am sure they are fighting! - Oh no, they make such funny movements, that's hilarious… I've got it: the are rehearsing a tragedy which they will perform at the party of Madame Follemèche… Lucky the bourgeois who can afford with his income to enjoy such entertainments… the man is almost as funny as the clown of the Folies-Nouvelles!,” plate 11 from Les Comédiens De Société

“- Hey, Baptiste, what are these two shouting for the last hour… I am sure they are fighting! - Oh no, they make such funny movements, that's hilarious… I've got it: the are rehearsing a tragedy which they will perform at the party of Madame Follemèche… Lucky the bourgeois who can afford with his income to enjoy such entertainments… the man is almost as funny as the clown of the Folies-Nouvelles!,” plate 11 from Les Comédiens De Société

Art Institute of Chicago

The Displeasure of a Sculpture Placed in the Middle of an Exhibition of Paintings, plate 5 from Salon De 1857

The Displeasure of a Sculpture Placed in the Middle of an Exhibition of Paintings, plate 5 from Salon De 1857

Art Institute of Chicago

Les spectateurs de l'orchestre.

Les spectateurs de l'orchestre.

Musée Carnavalet, Histoire de Paris

“- Difficult to imagine that in my days I also was an acclaimed Spanish dancer... nowadays only my castanets are Spanish... what a drag...,” plate 11 from Croquis Dramatiques

“- Difficult to imagine that in my days I also was an acclaimed Spanish dancer... nowadays only my castanets are Spanish... what a drag...,” plate 11 from Croquis Dramatiques

Art Institute of Chicago

“- Difficult to imagine that in my days I also was an acclaimed Spanish dancer... nowadays only my castanets are Spanish... what a drag...,” plate 11 from Croquis Dramatiques

“- Difficult to imagine that in my days I also was an acclaimed Spanish dancer... nowadays only my castanets are Spanish... what a drag...,” plate 11 from Croquis Dramatiques

Art Institute of Chicago

A Visit to the Salon. Obviously all the sculptors are a naughty bunch, plate 1 from Tout Ce Qu'on Voudra

A Visit to the Salon. Obviously all the sculptors are a naughty bunch, plate 1 from Tout Ce Qu'on Voudra

Art Institute of Chicago