Art Institute of Chicago
The Displeasure of a Sculpture Placed in the Middle of an Exhibition of Paintings, plate 5 from Salon De 1857
Honoré Victorin Daumier
- Date
- 1857
- Medium
- Lithograph in black on white wove paper
- Culture
- France
- Department
- Prints and Drawings
- Institution
- Art Institute of Chicago
In this lithograph, Daumier lampooned the popularity of paintings in the annual Salon by placing an overwrought sculpture atop a round settee in the center of a painting gallery. The total number of works of art exhibited at the Salon was already over 5,000 by this date, and paintings were hung nearly from floor to ceiling. As a result, the sculpture in the middle of the room becomes effectively invisible, as viewers seated below only look outward. With so much color on the surrounding walls, the sculpture becomes a monochrome, washed-out specter despite its imposing scale and animated antics.
The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Art Institute of Chicago and other institutions.
The Displeasure of a Sculpture Placed in the Middle of an Exhibition of Paintings, plate 5 from Salon De 1857
Art Institute of Chicago
A Visit to the Salon. Obviously all the sculptors are a naughty bunch, plate 1 from Tout Ce Qu'on Voudra
Art Institute of Chicago
At The Bar. Meeting point for the true lovers of French sculpture and Bavarian beer, plate 5 from Croquis pris à l'exposition
Art Institute of Chicago
“- It's really quite flattering to have one's portrait exhibited at the Salon,” plate 7 from Le Salon de 1857
Art Institute of Chicago
A True Art Lover, plate 66 from Les Bons Bourgeois
Art Institute of Chicago
A Misapprehension at the Odeon, on a Day of Drama. “- Come on, come on let's go! - I am telling you it's not finished. The curtain has gone up again and there is still Roman on the stage,” plate 4 from Croquis Pris Au Théatre par Daumier
Art Institute of Chicago

The Studio
Getty Museum

They say that Parisians are difficult to please, on these four benches there is not one discontent-It is true that all these Frenchmen are Romans
Minneapolis Institute of Art
“What idiots! You paint a religious picture for them and they laugh.... they don't even have a devotion to art!...,” plate 4 from Croquis Pris Au Salon par Daumier
Art Institute of Chicago
La salle d'attente, ou le quart-d'heure de réflexions désagréables.
Musée Carnavalet, Histoire de Paris
“- Ah yes, those comets, they always predict great misfortunes. It doesn't surprise me at all that poor Madame Galuchet suddenly died last night,” plate 573 from Actualités
Art Institute of Chicago
“- Mr. Colimard, if you don't stop immediately ogling the dancers in such an unseemly manner, I will take you home before the end of the performance!,” plate 4 from Croquis Pris Au Théatre par Daumier
Art Institute of Chicago