Minneapolis Institute of Art

Visual Parody of Emperor Xuanzong and Yang Guifei

Suzuki Harunobu

Date

1765

Medium

Woodblock print (nishiki-e), ink and color on paper

Department

Asian Art

Institution

Minneapolis Institute of Art

Calender print of the year Meiwa 2 (1765) with the numbers for the long months on the woman's robe. A favorite device among early ukiyo-e artists was to reference a historical event or person in a contemporary setting. Here, the depiction of two young lovers playing a single flute suggests the story of Xuanzong, the sixth emperor of China's Tang dynasty. Among his many consorts was a woman known as Yang Guifei. In addition to her physical beauty, Yang Guifei was a gifted singer, dancer, and musician. In a moment of jealousy, the emperor is said to have banished Yang Guifei when he discovered her playing another man's flute. Unable to endure her absence, however, the emperor eventually recalled her to court. The playful affection between the two lovers is suggested in this print, as well as the harmony implicit in their reconciliation. This print also contains a secret calendar. The manner in which the leaves of bamboo cross on the woman's kimono designate the long and short months of the lunar calendar. Japan, Asia

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