Emperor Ming Huang and Yang Guifei

Minneapolis Institute of Art

Emperor Ming Huang and Yang Guifei

attributed to Kano Naganobu

Date
around 1600
Medium
Six-panel folding screen, one of a pair, ink, color, and gold leaf on paper
Department
Asian Art
Institution
Minneapolis Institute of Art

The poem Song of Everlasting Sorrow ( Changhen ge ), by Chinese poet Bai Juyi’s (772–846), tells the story of Emperor Xuanzong (685–762; reigned as Emperor Minghuang) and his breathtakingly beautiful favorite concubine Yang Guifei (719–756). This painting shows Guifei dancing at right in front of the emperor and several attendants. A rebellion in 755 forced the emperor to flee the capital, and angry imperial guards—believing that Yang Guifei was responsible for Xuanzong’s neglect of state affairs—demanded her execution and put her to death. Xuanzong abdicated the throne shortly thereafter, triggering the decline of the dynasty. This tragic love affair became a popular subject among Kano painters like Kano Naganobu (1577–1654), who moved his branch of the Kano House to the capital, Edo (present-day Tokyo), in 1605 and became the first Kano painter to serve as painter-in-attendance to the Tokugawa shoguns.

The authoritative record is held by Minneapolis Institute of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Related across collections

Semantically similar works from Minneapolis Institute of Art and other institutions.