Art Institute of Chicago
Adam and Eve
Sebald Beham (German, 1500-1550)
- Date
- 1543
- Medium
- Engraving in black on ivory laid paper
- Culture
- Germany
- Department
- Prints and Drawings
- Institution
- Art Institute of Chicago
For disobeying God’s orders and eating the fruit of the Tree of the Knowledge of Good and Evil, Adam and Eve received the punishment of mortality, hard work, and pain. A skeleton, an obvious symbol of death, forms the trunk of the fatal tree, and the evil serpent winds its way through the skeleton’s hollow torso. Sebald Beham’s sensuous intertwining of the nudes, snake, and skeleton blatantly marks this depiction as a sexual awakening. While Adam is entirely naked, the gesture of Eve’s free hand both covers and accentuates her newfound sexuality.
The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Art Institute of Chicago and other institutions.
The Fall of Man
Art Institute of Chicago

The Fall of Adam and Eve
Cleveland Museum of Art

Adam and Eve
Cleveland Museum of Art

Adam and Eve
Cleveland Museum of Art

Adam and Eve
Rijksmuseum

De zondeval
Rijksmuseum

Adam and Eve
Cleveland Museum of Art

Adam and Eve
Cleveland Museum of Art

Adam and Eve in Paradise
Cleveland Museum of Art

The Expulsion of Adam and Eve from Paradise
Minneapolis Institute of Art
The Expulsion from Paradise
Art Institute of Chicago
The Expulsion of Adam and Eve from Paradise
Art Institute of Chicago