Adam and Eve

Cleveland Museum of Art

Adam and Eve

Albrecht Dürer

Date
1504
Medium
engraving
Culture
Germany, early 16th Century
Department
Prints
Institution
Cleveland Museum of Art

Dürer based Adam’s pose on the Apollo Belvedere, a Roman sculpture discovered in Italy during the late 1400s. He constructed the idealized bodies of Adam and Eve using geometry and a mathematical system of proportion loosely derived from ancient models. For Dürer, who mostly depicted Christian subjects, the creation of theoretically perfect human bodies was a pathway to comprehending the divine. He thus represented Adam and Eve as he understood them in both theological and artistic terms: moments before tasting the forbidden fruit, they are still uncorrupted by sin and death, existing in a state of faultless beauty.

The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Related across collections

Semantically similar works from Cleveland Museum of Art and other institutions.