
Cleveland Museum of Art
The daughter-in-law of the king of Banaras sees the jackal deprived of its food by a bird, as it unsuccessfully attempts to catch a fish, from a Tuti-nama (Tales of a Parrot): Sixteenth Night
- Date
- c. 1560
- Medium
- gum tempera, ink, and gold on paper
- Culture
- Mughal India, court of Akbar (reigned 1556–1605)
- Department
- Indian and Southeast Asian Art
- Institution
- Cleveland Museum of Art
- Object ID
- 137406
From the Cleveland Museum of Art record
Having been left alone in the wilderness by her lover, the woman comes across the jackal who has just lost its meal. The wise jackal counsels her on the importance of satisfaction and instructs her to return to her husband. Above them, a large bird flies away with the jackal’s food gripped in its feet. The fish that the jackal was trying to catch is visible in the stream.
The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Get printable QR codesHide QR codes
Open QR codes for this object page and the museum record. They stay collapsed until needed.
Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- Gift of Mrs. A. Dean Perry
- Provenance
- ?–1959: Estate of Breckinridge Long [1881–1958], Bowie, MD | 1959–1962?: (Harry Burke Antiques, Philadelphia, PA) | 1959?–1962: (Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry) | 1962–: The Cleveland Museum of Art, Cleveland, OH
Related across collections
Semantically similar works from Cleveland Museum of Art and other institutions.

The daughter-in-law returns from her misadventure, feigning insanity, from a Tuti-nama (Tales of a Parrot): Sixteenth Night
Cleveland Museum of Art
#137409

The vagabond crosses a stream with the possessions of the daughter-in-law of the king of Banaras and absconds, from a Tuti-nama (Tales of a Parrot): Sixteenth Night
Cleveland Museum of Art
#137404

The pious man’s wife offers the seven-colored bird as food to her lover, but not finding its head, he breaks the pot and bowl in anger, from a Tuti-nama (Tales of a Parrot): Fifty-second Night
Cleveland Museum of Art
#137857

The daughter-in-law of the king of Banaras, charmed by the music of a vagabond, comes down to meet him, from a Tuti-nama (Tales of a Parrot): Sixteenth Night
Cleveland Museum of Art
#137401

The Brahman, unable to select from the four gifts of the king of the Ocean seeks the Raja’s advice, from a Tuti-nama (Tales of a Parrot): Eleventh Night
Cleveland Museum of Art
#138001

The merchant hears of his wife’s unfaithfulness (above); the unfaithful wife performs penance by plucking her hair (below), from a Tuti-nama (Tales of a Parrot): First Night
Cleveland Museum of Art
#137361

The Raja’s daughter, born with three breasts, accompanies her blind husband and his hunchback guide on a journey, from a Tuti-nama (Tales of a Parrot): Forty-second Night
Cleveland Museum of Art
#137720

The Brahman’s predicament is conveyed by the wind to the fish who carries the news to the king of the Ocean, from a Tuti-nama (Tales of a Parrot): Eleventh Night
Cleveland Museum of Art
#137990

The king plucks fruit from the Tree of Life with his own hands and feeds it to a lady, from a Tuti-nama (Tales of a Parrot): Ninth Night
Cleveland Museum of Art
#137968

The wolf and the jackal, serving as viziers, instigate the lion who pursues the Brahman up a tree, from a Tuti-nama (Tales of a Parrot): Twenty-first Night
Cleveland Museum of Art
#137472

The Parrot Addresses Khujasta at the Beginning of the Eleventh Night, from a Tuti-nama (Tales of a Parrot)
Cleveland Museum of Art
#137986

The parrot addresses Khujasta at the beginning of the fifty-first night, from a Tuti-nama (Tales of a Parrot): Fifty-first Night
Cleveland Museum of Art
#137835