
Cleveland Museum of Art
Ichikawa Ebijūrō II as Horiguchi Manzaemon from the Kabuki Play "Eight Views of the Kizu River by Boating Song"
Shunshosai Hokuchō
- Date
- 1829
- Medium
- Right print from a triptych of color woodblock prints
- Culture
- Japan, Edo period (1615–1868)
- Department
- Japanese Art
- Institution
- Cleveland Museum of Art
Three prints form a continuous scene from a Kabuki play written in 1778 by Namiki Gohei I (1747–1808) and produced at the Kado Theater in Osaka in the summer of 1829. It was the final performance for actor Ichikawa Ebijūrō II (1806–1829; right)—highly regarded for portraying villains—because he got sick and died several months later. This design belongs to a category of Japanese prints called “actor images” ( yakusha - e or 役者絵). They were collected by fans of popular Kabuki actors. Kabuki is a kind of entertainment that got its start in the early Edo period, evolving from dance performances with simple storylines to long plays with complex plots, elaborate sets, and full musical accompaniments. Performers wear showy costumes and heavy makeup and strike poses called mie at critical moments in the narrative. Dialogue is spoken in a stylized way that resembles singing.
The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Cleveland Museum of Art and other institutions.

Ichikawa Ebijūrō II as Horiguchi Manzaemon (right), Arashi Rikan II as Kizu Kansuke, Nakayama Bunshichi III as Hayashi Sanzemon (center), and Asao Gakujurō as the Ferryman Sanjūrō (left) from the Kabuki Play "Eight Views of the Kizu River by Boating Song"
Cleveland Museum of Art

Asao Gakujurō as the Ferryman Sanjūrō from the Kabuki Play "Eight Views of the Kizu River by Boating Song"
Cleveland Museum of Art

Arashi Rikan II as Kizu Kansuke and Nakayama Bunshichi III as Hayashi Sanzemon from the Kabuki Play "Eight Views of the Kizu River by Boating Song"
Cleveland Museum of Art

Ichikawa Ebizō IV (Danjurō) as Takemura Sadanoshin in The Loving Wife's Parti-Colored Reins
Cleveland Museum of Art

Descending Geese at Shirahige: Actor Ichikawa Kuzō III as Inga Kozō Rokunosuke
Minneapolis Institute of Art

Boats Returning from the Open Sea to Shinagawa: Actor Ichimura Kakitsu IV as Akatsuki Hoshigorō
Minneapolis Institute of Art

Actor Ichikawa Danjūrō V
Minneapolis Institute of Art
The Actors Iwai Hanshiro IV as Okume (right), and Ichikawa Monnosuke II as Koshiba Yukienojo Disguised as the Eboshi Seller Rokusaburo (left), in the Play Katakiuchi Adana Kashiku, Performed at the Nakamura Theater in the Seventh Month, 1779
Art Institute of Chicago
The Actors Iwai Hanshiro IV as Kuzunoha, Ichikawa Yaozo III as Yakanpei, and Ichikawa Ebizo IV as Abe no Doji, in the play "Ashiya Doman Ouchi Kagami," performed at the Nakamura Theater in the ninth month, 1784
Art Institute of Chicago
The Actors Ichikawa Ebizo I as Miura Osuke, Ichikawa Danjuro lV as Okazaki Akushiro, and Nakamura Sukegoro I as Kato Arajiro in the play "Miura no Osuke Bumon no Kotobuki," performed at the Nakamura Theater in the eleventh month, 1754
Art Institute of Chicago

Actors Nakamura Utaemon III as Mino no Shōkurō, Ichikawa Ebijūrō I as Gantetsu, actually Miura Arajirō, and Nakamura Karoku I as the Courtesan Hinazuru, actually Shōkurō’s wife Kochō
Minneapolis Institute of Art

Otani Tokuji I as the Retainer Sodesuke in "Flowering Irises: A Soga Vendetta of the Bunroku Era"
Cleveland Museum of Art