You May Count on Me

Cleveland Museum of Art

You May Count on Me

Augustin de Saint-Aubin

Date
1789
Medium
etching and engraving
Culture
France, 18th century
Department
Prints
Institution
Cleveland Museum of Art

This print is a companion to another depicting a woman telling her lover to "At Least be Discreet," as he slips out of her boudoir. Together the two prints depict a couple saying farewell after a romantic rendezvous. Here, both the man and the cherub beneath him proudly display a plucked rose as a symbol of sexual triumph. Amusingly, the prints actually depict the artist and his wife, whimsically portraying the mores and fashion of French aristocratic society during the 18th century.

The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Related across collections

Semantically similar works from Cleveland Museum of Art and other institutions.

At Least Be Discreet

At Least Be Discreet

Cleveland Museum of Art

At Least Be Discreet and You May Count on Me (pair)

At Least Be Discreet and You May Count on Me (pair)

Cleveland Museum of Art

Comptez sur mes Serments (Depend on my Promises)

Comptez sur mes Serments (Depend on my Promises)

Art Institute of Chicago

Au Moins Soyez Discret (At Least be Discreet)

Au Moins Soyez Discret (At Least be Discreet)

Art Institute of Chicago

Ah! You Think Your Wife Does Not Provide Enough for You, Villain. . . .

Ah! You Think Your Wife Does Not Provide Enough for You, Villain. . . .

Cleveland Museum of Art

“You tramp! I would like to see you drown in your beer! Leaving me alone like that with my three children, he gives me twelve sous, and when he comes back in the evening, he asks for his change!,” plate 48 from Moeurs Conjugales

“You tramp! I would like to see you drown in your beer! Leaving me alone like that with my three children, he gives me twelve sous, and when he comes back in the evening, he asks for his change!,” plate 48 from Moeurs Conjugales

Art Institute of Chicago

Husband: “My dear, how about a first kiss on my chin?” The wife (aside): “To think that I am married to this face!,” plate 21 from Moeurs Conjugalesa

Husband: “My dear, how about a first kiss on my chin?” The wife (aside): “To think that I am married to this face!,” plate 21 from Moeurs Conjugalesa

Art Institute of Chicago

Woman with an Umbrella

Woman with an Umbrella

Cleveland Museum of Art

The Bluestocking's Husband. “Monsieur, my wife has been inspired since this morning: it is impossible to see her. As you can see, I have to give my full attention to the fruit of our most recent collaboration!,” plate 46 from Moeurs Conjugales

The Bluestocking's Husband. “Monsieur, my wife has been inspired since this morning: it is impossible to see her. As you can see, I have to give my full attention to the fruit of our most recent collaboration!,” plate 46 from Moeurs Conjugales

Art Institute of Chicago

The Lover Surprised (L'Amant Surpris)

The Lover Surprised (L'Amant Surpris)

Cleveland Museum of Art

"- How are you feeling today, Mr. Chapolard? - Madame Pochet, a concierge who knows how to behave, should address her landlord only in the third person. - How can I talk to you in the third person, since you are the first person I am seeing this morning," plate 11 from Croquis Parisiens

"- How are you feeling today, Mr. Chapolard? - Madame Pochet, a concierge who knows how to behave, should address her landlord only in the third person. - How can I talk to you in the third person, since you are the first person I am seeing this morning," plate 11 from Croquis Parisiens

Art Institute of Chicago

“- How do you know that I am a widower? After twenty years of forced labour, not marriage, I am slowly starting to pull myself together again, and there you are, proposing me a second marriage! Ragoulet, would you please stop holding my hand!,” plate 10 from Vulgarités

“- How do you know that I am a widower? After twenty years of forced labour, not marriage, I am slowly starting to pull myself together again, and there you are, proposing me a second marriage! Ragoulet, would you please stop holding my hand!,” plate 10 from Vulgarités

Art Institute of Chicago