
Cleveland Museum of Art
You May Count on Me
Augustin de Saint-Aubin
- Date
- 1789
- Medium
- etching and engraving
- Culture
- France, 18th century
- Department
- Prints
- Institution
- Cleveland Museum of Art
This print is a companion to another depicting a woman telling her lover to "At Least be Discreet," as he slips out of her boudoir. Together the two prints depict a couple saying farewell after a romantic rendezvous. Here, both the man and the cherub beneath him proudly display a plucked rose as a symbol of sexual triumph. Amusingly, the prints actually depict the artist and his wife, whimsically portraying the mores and fashion of French aristocratic society during the 18th century.
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Related across collections
Semantically similar works from Cleveland Museum of Art and other institutions.

At Least Be Discreet
Cleveland Museum of Art

At Least Be Discreet and You May Count on Me (pair)
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Comptez sur mes Serments (Depend on my Promises)
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Au Moins Soyez Discret (At Least be Discreet)
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Ah! You Think Your Wife Does Not Provide Enough for You, Villain. . . .
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“You tramp! I would like to see you drown in your beer! Leaving me alone like that with my three children, he gives me twelve sous, and when he comes back in the evening, he asks for his change!,” plate 48 from Moeurs Conjugales
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Husband: “My dear, how about a first kiss on my chin?” The wife (aside): “To think that I am married to this face!,” plate 21 from Moeurs Conjugalesa
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Woman with an Umbrella
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The Bluestocking's Husband. “Monsieur, my wife has been inspired since this morning: it is impossible to see her. As you can see, I have to give my full attention to the fruit of our most recent collaboration!,” plate 46 from Moeurs Conjugales
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The Lover Surprised (L'Amant Surpris)
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"- How are you feeling today, Mr. Chapolard? - Madame Pochet, a concierge who knows how to behave, should address her landlord only in the third person. - How can I talk to you in the third person, since you are the first person I am seeing this morning," plate 11 from Croquis Parisiens
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“- How do you know that I am a widower? After twenty years of forced labour, not marriage, I am slowly starting to pull myself together again, and there you are, proposing me a second marriage! Ragoulet, would you please stop holding my hand!,” plate 10 from Vulgarités
Art Institute of Chicago