
Minneapolis Institute of Art
Kakinomoto no Hitomaro
Japan
- Date
- 16th century
- Medium
- Hanging scroll, ink, color, and gold on silk
- Department
- Asian Art
- Institution
- Minneapolis Institute of Art
Ranked first in the early poetry collection Man’yōshū and considered one of the Thirty-six Immortal Poets, Kakinomoto no Hitomaro (d. ca. 710) is among the best known masters of Japanese-style poetry. Portraits of the beloved poet were treated as religious icons as early as the classical Heian period. The inscription brushed at top left is an ancient poem traditionally associated with Hitomaro: Honobono to Akashi no ura no asagiri ni shima-gakure yuku fune o shi zo omou Dimly, dimly in the morning mist that lies over Akashi Bay, my longings follow with the ship that vanishes behind the distant isle. [Translated by Robert H. Brower and Earl Roy Miner] Asia
The authoritative record is held by Minneapolis Institute of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Minneapolis Institute of Art and other institutions.

Kakinomoto no Hitomaro
Cleveland Museum of Art

Poem by Kakinomoto Hitomaro
Minneapolis Institute of Art

Two Immortal Poets
Minneapolis Institute of Art

Poem by Kakinomoto no Hitomaro
Minneapolis Institute of Art

Illustration of the Emperor Kōkō's Poem
Minneapolis Institute of Art
Kakinomoto Hitomaro from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)
Art Institute of Chicago

Poem by Kakinomoto no Hitomaro, from One Hundred Poems by One Hundred Poets Explained by an Old Nurse
Cleveland Museum of Art

Thirty-Six Immortal Poetesses
Minneapolis Institute of Art

Portrait of the Poet Kakimoto no Hitomaro
Minneapolis Institute of Art

Taira no Kanemori of the Thirty-Six Poetic Immortals
Cleveland Museum of Art

Minamoto Toshiyori
Minneapolis Institute of Art

Poetess Ono-no-Komachi
Minneapolis Institute of Art