
Minneapolis Institute of Art
Landscape, Snow Effect; le Val near Giverny
Blanche Hoschedé-Monet
- Date
- 1888
- Medium
- Oil on canvas
- Department
- European Art
- Institution
- Minneapolis Institute of Art
Blanche Hoschedé-Monet began painting at the age of 18, working alongside her stepfather and eventual father-in-law, Claude Monet. His only true pupil, she learned to paint by observing his techniques firsthand. In January 1888, Monet traveled to Antibes, leaving Hoschedé-Monet behind to work on this painting, her first Salon submission. Letters from Monet to Alice Hoschedé, his wife and Blanche’s mother, reveal his ambitions for her: “I hope that Blanche, left to her own devices, will make a serious effort [ un grand effort ].” Although the painting was not accepted at the Salon that spring, it marked a new, independent direction in her art, one less beholden to Monet’s style. In her winter scene she balanced bold white impasto with areas of lively color—shadows of blue, gray, and green and warm touches of pink and yellow. France, Europe
The authoritative record is held by Minneapolis Institute of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Minneapolis Institute of Art and other institutions.
Branch of the Seine near Giverny (Mist)
Art Institute of Chicago
Cliff Walk at Pourville
Art Institute of Chicago
The Petite Creuse River
Art Institute of Chicago
The Artist's House at Argenteuil
Art Institute of Chicago

Gardener's House at Antibes
Cleveland Museum of Art
Poppy Field (Giverny)
Art Institute of Chicago
Sandvika, Norway
Art Institute of Chicago

The Japanese Bridge
Minneapolis Institute of Art

The Red Kerchief
Cleveland Museum of Art
The Beach at Sainte-Adresse
Art Institute of Chicago
At the River's Bend (On the River II)
Art Institute of Chicago
The Valley of Arconville
Art Institute of Chicago