
Minneapolis Institute of Art
The Races
Édouard Manet; Publisher: Lemercier & Cie., Paris
- Date
- c. 1865 (published 1884)
- Medium
- Lithograph on chine appliqué
- Department
- European Art
- Institution
- Minneapolis Institute of Art
Instead of a traditional side view of the race, Édouard Manet presents a radically foreshortened frontal view. We feel as though we are standing on the track, facing the fast-approaching horses. Details are downplayed in favor of expressive lines and contrasts of shading. Manet’s vigorous, almost manic drawing style and unconventional treatment aroused the hostility of critics. But today this image of Paris’s fashionable Longchamp racecourse is regarded as one of the earliest expressions of modern printmaking. France, Europe
The authoritative record is held by Minneapolis Institute of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Minneapolis Institute of Art and other institutions.
The Races at Longchamp
Art Institute of Chicago

The Races
Cleveland Museum of Art

The Racehorse (after Manet)
Minneapolis Institute of Art
The Races
Art Institute of Chicago
The Races
Art Institute of Chicago

Le Jockey
Minneapolis Institute of Art

Racing Scenes: A Horse Arriving at the Race (Scènes Hippiques: Cheval arrivant de la chasse)
Cleveland Museum of Art

The Race of the Riderless Horses
Getty Museum

Bullfight
Getty Museum

Racing Scenes: The Race (Scènes Hippiques: La course)
Cleveland Museum of Art

The Jockey
Cleveland Museum of Art

Édouard Manet
Getty Museum